They had risen. Joan folded her hands. “Thank you for your scolding, ma’am,” she said. “Shall I write out a hundred lines of Greek? Or do you think it will be sufficient if I promise never to do it again?” Mary Stopperton laughed. “He is quite right, dear,” she said. “It does seem to come, and it is so hard. You have to pray and pray and pray. And even then we cannot always do it.” She touched with her little withered fingers Joan’s fine white hand. “But you are so strong and brave,” she continued, with another little laugh. “It won’t be so difficult for you.”!

“She was studying for the stage,” he answered. “Paris was the only school in those days. I was at Julien’s studio. We acted together for some charity. I had always been fond of it. An American manager who was present offered us both an engagement, and I thought it would be a change and that I could combine the two arts.” “I am only at the end of a journey when you need me,” he had answered, and they had kissed. And next morning she returned to her own life.

He turned to her with his last flicker of passion. Her admiration of the independent woman had undergone some modification since she had come in contact with her. Woman was intended to be dependent upon man. It was the part appointed to him in the social scheme. Woman had hers, no less important. Earning her own living did not improve her. It was one of the drawbacks of civilization that so many had to do it of necessity. It developed her on the wrong lines—against her nature. This cry of the unsexed: that woman must always be the paid servant instead of the helper of man—paid for being mother, paid for being wife! Why not carry it to its logical conclusion, and insist that she should be paid for her embraces? That she should share in man’s labour, in his hopes, that was the true comradeship. What mattered it, who held the purse-strings! “You’re sure?” he said.